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Something I know about Sally Hawkins is that she goes into interviews wracked by nerves.
And she definitely appears skittish when I enter the Soho Hotel library where we’re meeting.
“I feel like I have a responsibility to the film and that I’m going to muck it up.”She laughs.
Getting it off her chest, at least, proves a useful tonic, and Hawkins needn’t be so hard on herself.
It’s the sort of room that calls for a high level of self-possession on the part of its occupants.
She won a Golden Globe for her performance in Mike Leigh’s Happy-Go-Lucky (2008).
And now here she is in It’s a Wonderful Afterlife, the latest comedy from Gurinder Chadha (the director of Bend it Like Beckham and Bride & Prejudice).
Hawkins herself is such an intelligent, sensitive actress that there are times when those qualities shine through, particularly in Poppy’s quieter moments.
When she comes across a homeless man who is complaining loudly but incoherently, she behaves as if he is making perfect sense.